In his studio, located in the heart of Girona’s old Jewish Quarter —in a kind of addition to the family home reached by means of a narrow secret passage—, Corominas uses multiple formats to unfurl a creative adventure usually associated with a specific type of painting rooted in abstract expressionism but which, in reality, is only a version of the open dispute that the artist maintains with form and colour: the canvases and stretchers can be minimised in favour of the three-dimensional bodies that proliferate in apparent volitive anarchy and these, in time, can be silenced by the voices that flood out like an uncontrollable torrent from the hundreds of books, notebooks and pads and discarded papers.